It’s easy to dismiss That Awkward Moment as another cliche, feel-goodie rom-com. It has the standard set of characters and scenarios to make it like others: main character is down on their luck, a talkative friend stands nearby and eventually the main character falls for another newly introduced character that is beautiful (but not conventionally so).
Suprisingly That Awkward Moment provides a fresh take on the romantic comedy film genre that many thought was dying. The dialogue holds viewer interest with its witty fiascos and funny liners. The film has a lot of “bromantic” nature to it yet it remains something that any viewer (male or female) could laugh at and relate to.
The film starts with Jason (Zac Efron) as he goes through a “break-up” with a girl he has been seeing for the past six weeks. She wants to break up yet he didn’t even know they were dating. He has a hard time deciding if he is “officially dating” any of the girls he sees. It doesn’t help that he has a talkative womanizer friend named Daniel (Miles Teller) who flows through girls with the help of a female friend luring them in to talk.
Things change when Jason and Daniel learn that Mikey’s wife has cheated on him. Jason and Daniel make a pack with him: stay single with him. Things prove tricky when Jason and Daniel both end up falling in love and have to start hiding it.
The film is hilarious and not like other generic love dove rom-coms. The dialogue points out common cliches of the bar dating scene. The film never seems to go stale as it tells the tale of a group of people trying to understand how to have a stable relationship with another person.B+
With the downward trend of romantic comedies and their less than stellar box office results, Director Tom Gormican took a good move in making the film (with a cast of well-known stars hot off successes) for only $8 million.
Jack Ryan is back, this time going to Moscow to stop a Russian radical from collapsing the U.S. economy. 2002’s The Sum of All Fears (with Ben Affleck in the main role) was the last time the Jack Ryan character has seen the big screen. The late Tom Clancy started the successful literary series. Now five films in the film lineup, with Alec Baldwin, Harrison Ford, and Ben Affleck all having a slice of the Jack Ryan pie, the film series has a history of reaping box office success (despite mixed critical reviews).
Plot: College-aged Jack Ryan (Chris Pine) decides to join the Marines following the 9/11 attacks. the decision to join leaves him skeptical and wanting more. A helicopter crash leaves him injured, retired from the military, and wondering what to do next. In comes mentor Thomas Harper (Kevin Costner). Harper recruits Ryan into the CIA, having him investigate companies on Wall Street suspected of funding terrorist actions. In the standard action move, Ryan discovers a plan by Russian radicals to collapse the U.S. economy via various transactions. Ryan is tasked with taking down the head of the operation Viktor Cherevin (Kenneth Branagh, who also directs) while holding together his complicated relationship with longtime girlfriend Dr. Cathy Muller (Keira Knightley).
Main Point: Everyone loves a good action/spy flick and this film , with it’s standard set of action intense scenes, satisfies that without being to over top.
The Jack Ryan name has been mostly forgotten following a string of successful action films in the past 12 years mostly due to the successful James Bond and Bourne film series. Action packed scenes and witty dialogue keep the viewer’s attention intact during the whole ride of 100 minutes runtime. The starring cast fill their roles well and Branagh, who has previous directed Thor, finds his filmmaking niche. The camerawork is great, shots done well, and the actors know what to do without feeling dull.
Jack Ryan: Shadow Recruit is a great, solid film. The film’s MLK weekend opening didn’t attract quite the audience it was targeting (most of audience was over 50 rather than 18-25) it still holds well with it’s near 18 million debut opening. Go forth and watch it if you feel an adventurous itch inside or are tired of seeing the standard weepy rom-com’s and parodies this time of year. B+
I just finished reading the book The Giver by Lois Lowry. The book follows a boy who is selected to be the ‘Receiver of Memory’ in the utopia-esque community he lives in. The film adaption, starring Jeff Bridges, Meryl Streep and Taylor Swift, comes out this August.
I wanted to take a moment to look at some of the great films coming out this year. Not being a huge fan of movies with mindless explosions, most of the films on the list are not from adapted comics.
The Monuments Men
Image via Slate
George Clooney’s latest directorial effort deals with the Monuments, Fine Arts and Archives Program, a group that saved art and important cultural items before their destruction by Hitler in World War II. It is scheduled for a February 7, 2014 release.
A Million Ways to Die in the West
Image via Screenrant
Seth MacFarlane’s follow-up to his smash hit directorial debut Ted, deals with a sheep farmer (MacFarlane) who lacks courage. With the help of a lady (Charlize Theron) he develops a sense of confidence. The film includes a top notch supporting cast consisting of Liam Neeson, Neil Patrick Harris and Amanda Seyfried. It will be one of the first movies released during the summer season, settling in on May 30, 2014.
The Fault in Our Stars
Image via Wikipedia
John Green’s beloved book dealing with a cancer-stricken 17-year-old named Hazel is coming to the big screen. The film follows Hazel as she deals with the trials and tribulations of cancer while making a friend, Augustus Waters, along the way. Scheduled to release on June 6, 2014, it is sure to welcome book lovers and anyone wanting to go against seeing an action blockbuster in favor of a smaller more personal story.
The Giver
Image via Wikipedia
Jonas is a 12-year-old living in a society where jobs are assigned based on evaluation of skills and couples are matched according to their personalities. The community is seemingly perfect as the citizens take pills to suppress “stirrings.” Jonas is selected to be the new ‘Receiver of Memory’ where he discovers the power of knowledge. He starts to see the faults in the community he lives in.
The film adaption stars Brenton Thwaites in the main role of Jonas. Jeff Bridges plays the giver, the one who trains Jonas. Meryl Streep, Taylor Swift and Katie Holmes round out the cast a film that will cause the viewer to think about the world they live in. Hunger Games trilogy and dystopian world fans would like. It comes out August 15, 2014.
The film known to many as the “12-year project” is finally making its debut. Richard Linklater’s film will have its premiere at the Sundance Film Festival on Sunday, January 19th.
Image via Hollywood Reporter
The film is unlike the majority of films surrounding it. Instead of filming for the traditional two-three months that most movies do, Boyhood took 12 years to make. The film follows the changes of a boy, Mason, as he goes from childhood to becoming an adult. Ethan Hawke and Patricia Arquette play the boy’s divorced parents.
The project has been filming in short periods (to chronicle the growth of the boy) over a period of nearly 12 years. It started filming in summer 2002 and recently completed its last shot in October 2013.
Linklater was at Sundance last year for the premiere of Before Midnight, the third installment in the ‘Before’ trilogy that followed a married couple examining their marriage years after meeting on a train in Paris.
The 86th Academy Awards® will air live on March 2, 2014
Twitter rage was at full speed today as people typed out raging messages in 140 characters or less (with the #oscars hashtag of course). Some rejoiced as Leonardo DeCaprio got an Best Actor Oscar nomination for the Martin Scorsese directed film The Wolf of Wall Street. A #pray4leo hashtag seemed to be trending. Fans of his want this to finally be the year he wins an Oscar. Contrasting the Leo fanfare, many were shocked that Tom Hanks was shut out from a Best Actor nomination for Captain Phillips. Hanks is loved by the academy. He has five nominations and two back-to-back wins. I guess critic acclaim for the film and his performance wasn’t enough.
Many pointed out the fact that despite the acclaimed directing and Oprah Winfrey’s praised performance, Lee Daniel’s The Butler received zero nominations. The Atlantic’s claim of Hollywood’s view on black women won’t be as evident at this years ceremony (click here for article). The snubs brings up the issue of how biased The Academy is when considering potential contenders. The majority of the best picture, directing, and acting categories are filled with big named directors and people who have a good “clout” with The Academy.
Indie darlings like Fruitvale Station, Short Term 12, Enough Said, Spring Breakers, and many more were completely shut out. Fruitvale Station, an acclaimed film that pushed lead actor Michael B. Jordon to the spotlight, received zero nominations. Julia Louis-Dreyfus and Brie Larson, two actresses that had touching films that resonated with audiences weren’t even given the light of day by The Academy. Despite critical and audience acclaim and several festival awards to back them, they still received no prominent Oscar buzz.
Head over to twitter or internet comment sections if you dare. An abbreviated nominations list is below.
Best picture
“12 Years a Slave”
“The Wolf of Wall Street”
“Captain Phillips”
“Her”
“American Hustle”
“Gravity”
“Dallas Buyers Club”
“Nebraska”
“Philomena”
Best director
Steve McQueen — “12 Years a Slave”
David O. Russell — “American Hustle”
Alfonso Cuaron — “Gravity”
Alexander Payne — “Nebraska”
Martin Scorsese — “The Wolf of Wall Street”
Best actor
Bruce Dern — “Nebraska”
Chiwetel Ejiofor — “12 Years a Slave”
Matthew McConaughey — “Dallas Buyers Club”
Leonardo DiCaprio — “The Wolf of Wall Street”
Christian Bale — “American Hustle”
Best supporting actor
Barkhad Abdi — “Captain Phillips”
Bradley Cooper — “American Hustle”
Jonah Hill — “The Wolf of Wall Street”
Jared Leto — “Dallas Buyers Club”
Michael Fassbender — “12 Years a Slave”
Best supporting actress
Jennifer Lawrence — “American Hustle”
Lupita Nyong’o — “12 Years a Slave”
June Squibb — “Nebraska”
Julia Roberts — “August: Osage County”
Sally Hawkins — “Blue Jasmine”
Best original screenplay
“American Hustle” — David O. Russell and Eric Warren Singer
“Blue Jasmine” — Woody Allen
“Her” — Spike Jonze
“Nebraska” — Bob Nelson
“Dallas Buyers Club” — Craig Borten and Melisa Wallack
Best adapted screenplay
“12 Years a Slave” — John Ridley
“Before Midnight” — Julie Delpy, Ethan Hawke and Richard Linklater
“The Wolf of Wall Street” — Terence Winter
“Captain Phillips” — Billy Ray
“Philomena” — Steve Coogan and Jeff Pope
Best animated feature
“The Wind Rises”
“Frozen”
“Despicable Me 2”
“Ernest & Celestine”
“The Croods”
Best music (original song)
“Frozen”: “Let it Go” — Robert Lopez and Kristen Anderson-Lopez
“Mandela: Long Walk to Freedom”: “Ordinary Love” — U2, Paul Hewson
“Her”: “The Moon Song” — Karen O, Spike Jonze
“Despicable Me 2”: “Happy” — Pharrell Williams
“Alone Yet Not Alone”: “Alone Yet Not Alone” — Bruce Broughton, Dennis Spiegel
Best cinematography
“Gravity” — Emmanuel Lubezki
“Inside Llewyn Davis” — Bruno Delbonnel
“Nebraska” — Phedon Papamichael
“Prisoners” — Roger Deakins
“The Grandmaster” — Phillippe Le Sourd
Best costume design
“The Great Gatsby” — Catherine Martin
“12 Years a Slave” — Patricia Norris
“The Grandmaster” — William Chang Suk Ping
“American Hustle” — Michael Wilkinson
“The Invisible Woman” — Michael O’Connor
Best supporting actor
Barkhad Abdi — “Captain Phillips”
Bradley Cooper — “American Hustle”
Jonah Hill — “The Wolf of Wall Street”
Jared Leto — “Dallas Buyers Club”
Michael Fassbender — “12 Years a Slave”
Best supporting actress
Jennifer Lawrence — “American Hustle”
Lupita Nyong’o — “12 Years a Slave”
June Squibb — “Nebraska”
Julia Roberts — “August: Osage County”
Sally Hawkins — “Blue Jasmine”
Best original screenplay
“American Hustle” — David O. Russell and Eric Warren Singer
“Blue Jasmine” — Woody Allen
“Her” — Spike Jonze
“Nebraska” — Bob Nelson
“Dallas Buyers Club” — Craig Borten and Melisa Wallack
Best adapted screenplay
“12 Years a Slave” — John Ridley
“Before Midnight” — Julie Delpy, Ethan Hawke and Richard Linklater
“The Wolf of Wall Street” — Terence Winter
“Captain Phillips” — Billy Ray
“Philomena” — Steve Coogan and Jeff Pope
Best animated feature
“The Wind Rises”
“Frozen”
“Despicable Me 2”
“Ernest & Celestine”
“The Croods”
Best foreign feature
“The Hunt” (Denmark)
“The Broken Circle Breakdown” (Belgium)
“The Great Beauty” (Italy)
“Omar” (Palestinian territories)
“The Missing Picture” (Cambodia)
Best music (original song)
“Frozen”: “Let it Go” — Robert Lopez and Kristen Anderson-Lopez
“Mandela: Long Walk to Freedom”: “Ordinary Love” — U2, Paul Hewson
“Her”: “The Moon Song” — Karen O, Spike Jonze
“Despicable Me 2”: “Happy” — Pharrell Williams
“Alone Yet Not Alone”: “Alone Yet Not Alone” — Bruce Broughton, Dennis Spiegel
Best music (original score)
“Gravity” — Steven Price
“Philomena” — Alexandre Desplat
“The Book Thief” — John Williams
“Saving Mr. Banks” — Thomas Newman
“Her” — William Butler and Owen Pallett
Best cinematography
“Gravity” — Emmanuel Lubezki
“Inside Llewyn Davis” — Bruno Delbonnel
“Nebraska” — Phedon Papamichael
“Prisoners” — Roger Deakins
“The Grandmaster” — Phillippe Le Sourd
Best costume design
“The Great Gatsby” — Catherine Martin
“12 Years a Slave” — Patricia Norris
“The Grandmaster” — William Chang Suk Ping
“American Hustle” — Michael Wilkinson
“The Invisible Woman” — Michael O’Connor
Best documentary feature
“The Act of Killing”
“20 Feet From Stardom”
“The Square”
“Cutie and the Boxer”
“Dirty Wars”
Best film editing
“Gravity” — Alfonso Cuaron, Mark Sanger
“12 Years a Slave”– Joe Walker
“Captain Phillips” — Christopher Rouse
“American Hustle” — Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Dallas Buyers Club” — John Mac McMurphy and Martin Pensa
When Dazed and Confused left theaters it had grossed just 7.9 million from its 6.9 million budget. The movie starred a string of then-unknown stars like Matthew McConaughey, Ben Affleck and Milla Jovovich. Although underperforming at the box office, the film went on develop a cult following by people who identified with its themes of rebellion and going against conformity. The film has been put on many critics list of best cult films and recently got a Star of Texas award from the Texas Film Hall of Fame for its 20th anniversary.
Donnie Darko
The science-fiction drama film with its somewhat confusing nature went on to be one of the top favorites for hipsters nationwide. It did moderately okay, grossing 7.6 million against a 4.5 million budget. Despite the film’s less than stellar box office receipts, it helped launch the career of lead actor Jake Gyllenhaal. In the movie Gyllenhaal’s character Donnie, aims to find the significance behind his troubling doomsday visions.
Wet Hot American Summer
Although it had sold-out screenings at its Sundance Festival premiere, Wet Hot American Summer failed to attract many distributors for pick up. It went on to gross just $295,000 againsta $1.8 million budget. It didn’t seem to matter much. The film developed a cult following with strong DVD sales. The film starred many up and comers including Amy Poehler, Paul Rudd, Ken Marino, Bradley Cooper and Elizabeth Banks. Director David Wain has confirmed a sequel with the original cast returning.
Scott Pilgrim vs. The World
Despite positive reviews from critics and fans, Scott Pilgrim flopped at the Box Office making $47 million against a $60 million budget. Fear not, the film shot up to the first spot for blu-ray sales on Amazon the day it became available on DVD. Comic book lovers and hipsters developed a love for the film that showed Scott Pilgrim (Michael Cera) meeting the girl of his dreams and defeating her “seven evil exes.”
Whatever happened to TV show theme songs? It seems to be a thing of the past. A quick flip of the remote (or computer mouse) and you’ll see a quick burst of a sound clip before going onto the show. What the heck?
Theme songs seemed to have taken an evolution of some sort. The intro songs used to establish a vibe for show the viewer was about to watch. The catchy tunes established a show’s brand that for many continued on long after the show went off the air (Pokemon, Happy Days, Dukes of Hazzard). Things have changed. Many shows have shifted to having nothing more than a pleasing tune and rolling credits. Several jingles clock at just a few seconds. ABC’s Modern Family has an intro tune that runs for just 13 seconds. Fox’s the Mindy Project recently shortened their opening jingle from 15 seconds to around four seconds.
It must depend on the show runners and whether they see a need for them. Arrested Development, a sitcom revived via Netflix streaming, has an elaborate mini story within opening. The viewer is out right told of a family and its riches to rags story in just 18 seconds.
TV show runners should consider the benefit that comes from producing a proper theme song and intro. It helps to establish a shows brand among the viewers. Whenever people hear the words “Hanging out, down the street, the same old thing…” many would be quick to answer that it’s from That 70’s Show. When “West Philadelphia, born and raised,” starts up an image of Will Smith in shades and proper 90’s attire instantly pops up.
Theme songs establish a brand to a show that can have a lasting impact on viewers. TV show runners should plan accordingly.
Elysium does not go deep into the immigration reform and social status issues that are displayed front and center in the film’s trailer. It doesn’t have to. Upon viewing the film, it provides enough exposure of a message without being too in the face about it.
image by TriStar Pictures via http://www.imdb.com/
Elysium works as a sort of but not really follow up to Neill Blomkamp’s feature film directorial debut District 9 (2009). Watching the movie, one can tell that it expands upon some of District 9’s themes of segregation and reform. The movie is set in 2154 when the earth is polluted and full of waste. The city of Los Angeles, where main character Max (Matt Damon) lives, is run down and filled with garbage. Wealthy people live on a space station habitat called Elysium that orbits earth.
Ever since he was a kid Max has always wanted to go to Elysium. They have everything: plentiful food, safety, and medical healing pods that detect and cure any abnormalities in seconds. After a factory accident involving radiation poisoning leaves Max with days to live, he decides to go on a mission to Elysium. Max wants to get to one of Elysium’s medical pods so he can heal himself and continue to live.
Audiences may feel a sense of refreshment when watching the films. It is one of the few action/special effects heavy films this year that has more than just mindless fight sequences and star power to offer. The movie lets people think about a dystopian world that might actually become a reality. Blomkamp said of the theme of the film “No. No. This isn’t science fiction. This is today. This is now.”
Since the film has a few loose ends it did not tie up, it leaves much of its dystopian/sci-fi future themes to the imagination. That shouldn’t scare away viewers. The film holds well in providing a good overview of what director Blomkamp was trying to convey. Matt Damon, Jodie Foster and Sharlto Copley all give solid performances.
Obviously there have been a lot of good independent films this year. I read an article that stated 2013 was the “Year of the Indie.” It is a strong declaration to make. Several mainstream big budget films this year did not fare well (RIPD, Turbo, The Lone Ranger, Broken City, and so forth). Below is a list of the films that had a positive reaction among many and seemed good word-of-mouth talk.
Before Midnight
Richard Linklater’s third installment in the “Before” trilogy follows a married couple who are in the challenging stages of their relationship. They met each other on a train in Before Sunrise (1995), nine years later they were reunited at a bookstore in Before Sunset (2004) and now, nine years later, are married, living in Greece with twin girls.
The film never fails to capture what a real life relationship is like. The script does a fine job of displaying the different perspectives in a relationship (leads Julia Delpy and Ethan Hawke share writing credit with Linklater for the film). Like the two previous installments, the film employees the use of (extremely) long takes to make the exchanges feel authentic and natural. The beginning of the film involved a 14-minute continuous take of Delpy and Hawke’s characters exchanging conversation in a car ride.
Audiences seemed to fall in love with Linklater, Delpy and Hawke’s characters all over again. Before Midnight went on the become the highest grossing film of the “Before” trilogy, raking in over $20 million worldwide against a modest $3 million budget.
The Way Way Back
Giving off a strong 80’s vibe (the movie was originally supposed to be set in 1983) The Way Way Back is a film about a 14-year-old socially awkward boy named Duncan (Liam James) who travels along with his mom (Toni Collette) and mean stepdad (Steve Carell) to a vacation at a beach house for the summer. At the start of the summer Duncan gets a job at a water park run by a talkative and fun-loving guy named Owen (Sam Rockwell).
The solid performances by Rockwell, Carell, and James keep the movie from being passed off as just another coming-of-age film with a socially awkward lead that a hipster would love. The script lets the variety of characters in the film shine without seeming too cluttered. Everything is tied up by the film’s end. The “summer that changed everything” is officially over. Duncan has made a new friend, Owen, and has a better sense of confidence in him.
The Way Way Back received acclaim from critics and went on to make $23 million from a production budget of just $5 million.
The Spectacular Now
It’s very hard to make a film chronicling the coming-of-age process for teenagers without having it suck. So many films have done. So many films have done it badly. The Spectacular Now is not one of those films. The Spectacular Now follows Sutter (Miles Teller) and Aimee (Shailene Woodley), two high school seniors trying to figure out their lives. Aimee has hers figured out and Sutter does not.
What makes the film great is it’s realistic and simplistic nature. The characters are played by actors that actually look like teenagers. There is no iPhone toting, excessive texting, or glamourized things going on. It is just Sutter and Aimee, navigating life, trying to figure out where to go.
Sutter and Aimee aren’t perfect. They make mistakes. They cuss. They were regular clothes. The viewer feels connected with them. Teller and Woodley’s performances let the viewer feel like they know them. At the film’s end, one could feel good with the film. The film depicts the age of 18, becoming an adult, effectively. Coming of age is no easy process.
The Spectacular Now received widespread acclaim. Teller and Woodley received the Special Jury Award for Acting at the Sundance Film Festival. Woodley has received an Independent Spirit Award nomination for Best Female Lead. The film grossed around 6.8 million from a 2.5 million budget.
A warm and feel-good movie is what most people want when they hit the movie theater on Christmas day. That is what they will get. Ben Stiller’s The Secret Life of Walter Mitty lets the viewer relish in daydreams and sees how a man changes because of them. The film is a loose take on the 1939 short story of the same name by James Thurber.
Photo via imdb.com
Stiller, along with directing the movie, takes on the main role of Walter Mitty. Walter is a quiet and closed-off person working at Life magazine as a Negative Asset Manager. His life is pretty bland. He is an expert at balancing his checkbook but cannot muster up the courage to “wink” his crush and fellow co-worker Cheryl (Kristen Wiig) on eHarmony. He has a bad habit of zoning out at times. He drifts off into vivid daydreams filled with things he wish he could say and places he wish he could visit. His daydream self has a strong confidence that his real-life bland office worker self does not.
There is a disruption in Walter’s life. Life magazine is scheduling its last print edition and going to online. Walter is tasked with the important role of providing the negative #25 photo by famed photographer Sean O’Connell, to be used as the cover for the final print issue. The negative #25 cannot be found however. It seems to be lost. Walter does not have it in his hands.
Teetering on the edge of getting laid off, Walter travels to Greenland and Iceland to track down Sean O’Connell. He needs the photo. The expedition yields more than just work duties. Walter is diving into the unknown. He is being adventurous for the first time in his life. The empty travel journal that his father gave to him before passing away when Walter was 17 is finally getting used.
The film wavers a bit with its daydream to reality sequences. Many critics have pointed out to the fact that the film loses steam. It’s pointed out that logic and imagination is not properly balanced. This is a good observation but slightly missing the point. Stiller does make a distinction between reality and fantasy. He does weird things (like throwing away the Sean O’Connell gifted wallet) because he is functioning on auto mode. His life is just going with the flow and not really observing what exactly is going on in front of him.
Although The Secret Life of Walter Mitty has been getting mixed reviews it is a solid film to see. There is no other movie that will give you a warm mushy feeling inside than this (maybe Christian Bale’s comb over in American Hustle will hold you over). The film provides great visuals and a predictable but good ending.
One thing stuck in my head after viewing the film: You cannot decide what to do with your life by sitting and thinking hard, it happens through taking action. This is exactly what Walter Mitty does in the film. B-
