movies

Jumble of Mumble

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Drinking Buddies

Image via Wikipedia
Image via Wikipedia

The film, made for less than $1 million, stars well-known actors Olivia Wilde (Tron Legacy), Jake Johnson (Fox’s New Girl), Anna Kendrick (Up In The Air, Pitch Perfect), and Ron Livingston (Office Space). The improvisation is the thing most interesting about this film. Director Joe Swanberg only gave the actors outlines with plot points and what had to happen for each scene. Being a romantic dramedy detailing the status and complications of a relationship, the dialogue comes through very real and touching. The movie is set in a brewery and follows Wilde and Johnson’s character interactions along with their respective partners. A-

Related: Before Sunrise/Sunset, Like Crazy (Although it’s slightly more “light” in mood than these)

Tiny Furniture

Image via Wikipedia
Image via Wikipedia

Aura (Lena Dunham) returns to her parent’s home in Tribeca with no job and a film studies college degree.  She is stuck in the weird stage (that many college grads face) where she is post-grad but not yet in the real world. The film, shot for just $65,000 is not for everyone. The pacing is slow and nothing seems to be going on at first. Dunham shows the numbness that many (nervous, desperate, helpless) recent graduates feel but she doesn’t seem to give much more. Aura never does more than just shuffle around hopelessly. It’s a phase that many recent college graduates have but not of an extendedly long period. B-

Related: Perks of Being A Wallflower, Giant Mechanical Man

Evolution of the Romantic Comedy

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“Boring”, “Overdone” and “haven’t I already seen this?” are some of the common comments that sit below a YouTube Trailer for an upcoming romantic comedy. People are getting tired of the predictable genre and are moving on from it to cinematic romance movies.

Romantic comedies used to be viewed in a positive way for most. They were easy to follow, had a predictable but nice ending and made you feel a mushy gushy warm feeling inside. For the most part, women would go in attendance to these types of films. Now it seems as though no one wants to see the dying genre anymore.

The 2012 film What to Expect When Your Expecting, even with a star studded cast, made only $41 million domestically against a budget of $40 million. The Jason Segel and Emily Blunt romantic couple comedy The Five Year Engagement grossed $27 million domestically against a budget of $30 million.

Studios seemed to try to take on a different approach this year with the guy-centric romantic comedies That Awkward Moment and Cavemen. That Awkward Moment seemed more like That Awkward Movie to most viewers due to its lack of a clear theme. The movie’s success seems to be attributed mainly due to the star power of its leading stars Zac Efron, Miles Teller and Michael B. Jordan rather than any compliments to the actual movie.

The cinematic romance and romantic dramedy have faired well recently. 2013 featured the films Enough Said, The Spectacular Now, Before Midnight, Drinking Buddies, and many others. Enough Said and Before Midnight  went on to gross more than $25 million each.

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Movie goers seem to divert from the clique plots and happy endings of rom-coms in favor of the realistic portrayals of romance in the films like Enough Said, Before Midnight and others. The films feature characteristics like natural lighting, complex conflicts, *real looking* people and natural dialogue (particularly in the case of Drinking Buddies which had largely improvised dialogue).

So in the times of decreasing box office returns, studios should look into romance films that people want: ones that show there isn’t always a happy ending to relationships…and that’s okay.

 

 

TV is the Anti-Hero

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“Let’s see what’s on Netflix” is a phrase becoming all the more common. It seems to be said more often that the traditional phrase “Let’s go to the movies.” More people than ever seem to be turning on the remote (or computer mouse) instead of going out to the movie theater. While the film industry has had several disappointments, TV seems to be thriving more than ever.

TV is becoming everyone's BFF
TV is becoming everyone’s BFF

In 2013 Netflix released a slew of original programming including the political drama House of Cards, the Arrested Development comeback and the much-beloved women’s prison drama Orange is the New Black. Two of Netflix’s shows received Primetime Emmy Award nominations, a first for web syndicated television content.

With big-budget flicks disappointing and movie making becoming more riskier, TV seems to be a safe haven that many are flocking to.

Anna Faris: Launched to the spotlight after starring in the horror parody film Scary Movie, Faris had a good amount of films under her belt. In 2013 she shifted gears and accepted her first full-time television gig, playing a single mother with her recovering alcoholic mother in the CBS series Mom. 

Kevin Bacon: No need to watch Footloose again, Kevin Bacon leads Fox’s thriller drama series The Following. 

Kerri Washington: Known for her wide array of film credits, in 2012 Washington became the first African-American actress to lead a prime-time network series in 40 years. Scandal airs on Thursdays on ABC.

See more film stars who switched over to TV here.

It’s a James Franco Summer

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Note: I don’t normally talk about myself but…I’ve been in hiding for the past three weeks. College work and a huge pile of applications have consumed me. A bunch of great things in film and television happened and I missed it (the Parks and Recreation season finale was awesome!) Anyways, I’m back, and decided to post about James Franco’s never ending list of projects.

When you think of the upcoming summer movie season, thoughts of John Green’s The Fault in Our Stars or the new Transformers film fill your mind. Well actor James Franco has managed to sneak his way into having four films coming out this summer. Every month from May to August, Franco will have a movie coming to theaters.

May 2014: Palo Alto

Based on the 2010 bestselling short story collection written by Franco himself, Palo Alto focuses on the happenings of a group of rebellious teenagers. The film is the directorial debut of Gia Coppola, granddaughter of director Francis Ford Coppola and niece of Sofia Coppola.

Coppola mentioned how she fell in love with the book when reading it and how it depicted teenagers is a realistic way. She adapted the short story collection written by Franco and collaborated with the teenage cast in order to make it more authentic.

James Franco appears in the film as a soccer coach who hits on a high schooler (Emma Roberts).

May 9, 2014

June 2014: Third Person

In this ensemble romantic drama, Franco plays a New York-based painter who fights with his ex(played by four-time co-star Mila Kunis) over the custody of their son. The film ties in several stories over the course of three cities.

June 20, 2014

July 2014: Dawn of the Planet of the Apes

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A follow-up to 2011’s Rise of the Planet of the Apes, the film follows Caesar, the ape, as he leads a rebellion through San Francisco. Franco makes a small cameo (leaving the lead role he had in the first film) as Will Rodman, Caesar’s former owner.  July 11, 2014

August 2014: Child of God

Lester Ballard is a murderer and an outcast in 1960’s Tennessee. Franco plays Jerry, who is part of the mob hunting down Lester.  Franco (who served as director) adapted the film from Cormac McCarthy’s critically praised 1973 novel of the same name.   August 1, 2014

 

Successes and Faults of Veronica Mars (film)

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It’s easy to think that more people would be in the Veronica Mars fandom if the show had aired during the current binge-encouraging TV community. The show ran from 2004-2007 on UPN/CW. It was low-rated but beloved for its writing, format and acting.

Despite (very persistent) fan attempts for a movie to be made, Warner Brothers (the studio that financed/distributed the show) opted not to fund the possible film. Fast foward six years to 2013 and a Kickstarter campaign was launched, raising $5.7 million in 30 days. The movie was officially happening

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Review

The prowling teen detective, covering the seedy happenings at Neptune High School and its town, is back.

Veronica Mars was last seen at the end of season three, her freshman year of college, getting recruited by the FBI (Great career planning!). Nine years later she is living in New York City with her college boyfriend “Piz” and pursuing jobs at a few law firms. In the midst of landing a pretty sweet gig at a law firm, she gets contacted by her ex-boyfriend Logan Echolls. He’s in trouble, having been accused of the murder of his girlfriend Carrie Bishop who was a fellow student at Neptune High.

Bishop, who went on to become a successful popstar under the stagename Bonnie DeVille, was found dead in her bathroom. Echolls, a lieutenant in the US Navy and son of movie star Aaron Echolls, is the prime suspect. Lawyer offers being thrown in his face, Veronica treks down to Neptune to help him clear his name.

During her 10-year high school reunion, she realizes that Bishop’s murder is connected to the death of her best friend, Susan Knight. Knight mysteriously disappeared during a boating trip nine years prior.

The ensuing plot involves Veronica working to clear Logan’s name while dealing with the seedy and corrupt nature of small town Neptune.

Observations

The film was well-paced and had a steady plot and resolution. A quick two minute introduction at the start gives non-viewers of the TV series a brief history of Veronica Mars and company and allows the film to be enjoyed without ever watching the series.

The only qualms a non-viewer of the TV series would experience is the pop ups of various characters from the TV show.  The instances aren’t too distracting to keep the viewer from enjoying the movie as a whole.

While the film was good, I noted a few disruptions to it

  • Interaction among characters was big in the TV series. In the film it isn’t, all the side characters from the series have few scenes and aren’t really engaging to the plot of the film.
  • Movie feels a little weird. It plays like some TV movie. Veronica Mars isn’t meant for film. It’s writing serves best when restricted to hour-long TV formatting.

Will the Veronica Mars film be counted as a success? Many already consider it so (it was finally made into a movie after seven years after all).

Box office and movie insiders are looking closely to see whether actually will be a success or not. The film cost a reported $6 million to make. To be classified as a success it would have to make double its budget back, $12 million. A figure that doesn’t seem likely to be happening.

  • Opening weekend: $2 million from 291 theaters for its opening weekend.
  • Second week: dropped 76.5%, obtaining around $470,000 from 347 theaters.

Making back its budget from theater box office doesn’t seem to be in the cards. Video on Demand sales may be its saving grace. No report has been released on the exact state of its VOD viewing numbers (distributors have a frequent history of not releasing on demand numbers).

A long time ago, we used to be friends…and we still are. Veronica Mars, despite its few quirks, works well for a night of movie watching outside of the typical slapstick comedy genre. A- 

 

 

 

 

SXSW: Veronica Mars Gives a List of Firsts

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Veronica Mars debuted on the now defunct network UPN in 2004. Despite middling ratings, it had good critical praise and a dedicated following. Maybe if it had been in the days of high DVR viewership and Netflix it would have survived. In 2007, the CW cancelled it after three seasons.

Marshmallows, the nickname for Veronica Mars fans, did a series of intense things to revive the series. A plane was hired to fly over a city, marshmallows were sent in to CW studios, and an endless string of (strongly worded) letters were written to TV executives. It was still a no go. CW and Warner Brothers Studios were ready to move on and had no interest in reviving the series and producing a much anticipated movie.

Things changed when a Kickstarter campaign launched on March 13, 2013. It was the first time a network show attempted to return as a feature film via crowdfunding. Short story? It worked. Less than 24 hours into the run, the campaign had surpassed it’s $2 million goal. It went on to raise $5.7 million from over 91,000 backers by the end of the month long campaign.

The Veronica Mars film is shifting up things once again. It will become the first film to be released simultaneously in theaters and video on demand by a major Hollywood studio (Warner Brothers).

A long time ago we used to be friends…and we still are. (Theme song tweak).

Veronica Mars premieres at South by Southwest (SXSW) in Austin, Texas on Saturday, March 8th and will hit AMC theaters and VOD platforms (iTunes, Amazon Instant) on March 14th.

Wish I Was Here (2014 film)

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Website for Wish I Was Here (film)
Website for Wish I Was Here (film)

Wish I Was Here, the movie Zach Braff co-wrote/directed, premiered at the Sundance Film Festival two weeks ago. I was a little excited about the movie premiering due to the fact that I pitched in via Kickstarter to fund it back in April 2013 (I can call myself a movie producer!). While my excitement was somewhat high, it quickly went down. Zach Braff and the rest of the staff working on Wish I Was Here haven’t done a really good job of making their Kickstarter backers (which funded $3.1 million of the $6 million budget) feel very appreciated.

Being a public relations major I felt the need to point out some of the missteps that Braff and the rest of the Wish I Was Here team have done. Discontent among the backers for the project has become more evident since its premiere at Sundance. Flavorwire pointed out about how the film and its production is becoming a public relations nightmare. Read the article here.

The first thing wrong with the Wish I Was Here Kickstarter production is the delay of the rewards. Kickstarter backers were promised to receive rewards based on the varying levels of money they pledged to the project. Yet since the finish of the project campaign in May 2013, backers have gotten nothing except a few behind the scenes videos. They have basically gotten nothing more than the average user would get when purchasing the home media DVD.

To make matters worse, in November 2013 Braff decided to open the wishiwasheremovie.com site to everyone. Everyone had access to the videos. Backers who pledged their money were receiving nothing more than what the typical internet surfer could find.

Zach Braff should have thought twice before reaching out to crowdfund his film. He said the reasoning for the kickstarter campaign was so he could remain creative control over the film and not have to cut things. His rational doesn’t hold much clout given the fact than nearly all filmmakers have to be willing to sacrifice some things to get their movie made.

Veronica Mars, the other big film financed through kickstarter, differs from the public relations nightmare of Wish I Was Here. Veronica Mars was backed by fans before the campaign even started. Rob Thomas (creator of series) kept constantly communication with the backers. Rewards were put out not too long after the film finished shooting. Veronica Mars was not co-financed with the help of a major hollywood studio like Wish I Was Here.

Main Point: Communicate more with your backers Braff. Give them the rewards they were promised, sooner rather than later. Make them feel part of the production rather than just providing the stock behind the scenes videos.

Movie Marketing Playbook

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Reading through my RSS feed of Indiewire, I came across this article about the marketability to different age groups.  The article isn’t all that suprising, everyone already knows that most movie studio executives are very cut and dry about the movies they pick up and how to market them. A particular line of it provides a general synopsis of the value in the playbook: No one sets out to make a movie without a particular audience in mind. One line of the playbook rings suprisingly true in a time of social media cravings and short attention spans: films no longer have time to find their audience; that audience has to be captured well in advance.

The article details the marketing drive that has a huge impact on the content of the film. It mentions why few films are made for certain age groups. Seeing the article’s title, most would brush it off as insignificant but it has some suprising statements.

Recent examples of that go off this guide could include the January openings of this year. The Kevin Hart/Ice Cube comedy Ride Along, with it’s humor filled action scenes and witty dialogue, went on to make $41 million in it’s opening weekend against a budget of $25 million. The film targeted the  18-30 demographic looking for a mindless comedy to gravitate to. Jack Ryan: Shadow Recruit failed in attracting much of the younger demographic but got a suprising turnout with viewers over age 50. Jack Ryan had what many older viewers liked: action, classic genres and men being adventurous. Ride Along targeted much of the younger generation with it’s mindless humor and comedic tone.

Movies are more manufactured than most outside the industry imagine. It’s time to take a closer look.

Note Crunch

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motiva

I’m starting this new series of posts where I signal out the best articles of the week. Most of them will include movie/television or media career news. A lot of them might be Buzzfeed lists or Entertainment Weekly articles (sorry, I maybe practice some favoritism). Anyways, below is a list of some great articles I found. They include things about a Forrest Gump mini reunion (yes!) and having a creative career (you aspiring film directors/oscar winners can relate).

That Awkward Moment (film review)

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“These are some weird tasting mints..”

“Yeah it’s cause their viagra.”

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It’s easy to dismiss That Awkward Moment as another cliche, feel-goodie rom-com. It has the standard set of characters and scenarios to make it like others: main character is down on their luck, a talkative friend stands nearby and eventually the main character falls for another newly introduced character that is beautiful (but not conventionally so).

Suprisingly That Awkward Moment provides a fresh take on the romantic comedy film genre that many thought was dying. The dialogue holds viewer interest with its witty fiascos and funny liners. The film has a lot of “bromantic” nature to it yet it remains something that any viewer (male or female) could laugh at and relate to.

The film starts with Jason (Zac Efron) as he goes through a “break-up” with a girl he has been seeing for the past six weeks. She wants to break up yet he didn’t even know they were dating. He has a hard time deciding if he is “officially dating” any of the girls he sees. It doesn’t help that he has a talkative womanizer friend named Daniel (Miles Teller) who flows through girls with the help of a female friend luring them in to talk.

Things change when Jason and Daniel learn that Mikey’s wife has cheated on him. Jason and Daniel make a pack with him: stay single with him. Things prove tricky when Jason and Daniel both end up falling in love and have to start hiding it.

The film is hilarious and not like other generic love dove rom-coms. The dialogue points out common cliches of the bar dating scene. The film never seems to go stale as it tells the tale of a group of people trying to understand how to have a stable relationship with another person.B+

With the downward trend of romantic comedies and their less than stellar box office results, Director Tom Gormican took a good move in making the film (with a cast of well-known stars hot off successes) for only $8 million.