Why I’m Self-Publishing


Before the days of Amazon’s Kindle Direct Publishing platform and paperback distributors like Createspace, the way the self-publish your novel meant going to a small indie press, they would make a few dozen of your books and you would hand them out to friends, family, and maybe put an ad in the classifieds sections of newspapers.

Things have come a long way. Self-publishing has exploded in popularity due to easy access tools like Kindle Direct Publishing, Smashwords, and many more. The industry has gained notoreity due to smash hit self-publishing successes like Hugh Howey, Andy Weir, Brenna Aubrey, and E.L James.

Although there are many indie author success stories and self-publishing being tagged with the often touted benefit of having full creative freedom over your work, these were not major reasons as to why I chose self-publishing. Below are some of the reasons why I chose the self-publishing route.

I’m not about that publishing business mindset

When you go the traditionally published route, they whip your novel into shape, promote it, do some release day publicity and then…it’s a matter of being hopeful. Hopeful that readers will buy the book, connect with it, and recommend it to others. What happens if you don’t bring in a desired amount of money? You’re cut. It’s harsh but it something that happens in the traditional publishing industry a lot. I don’t see too much of a problem with it because at the end of the day publishing companies are still businesses. They need/want to hit a certain amount and if you don’t bring in the desired amount of money, you’re cut.

I’m in a tricky, emerging and not yet fully understood genre market

New Adult fiction. I’m sure you’ve heard of it. St. Martin’s Press coined the term in 2009. A genre sometimes labeled as “older YA”, focusing on characters, age 18-25 leaving home, navigating college and career and coming into adulthood. Self-publishing had been driving the genre into popularity.  Despite the growing number of New Adult novels, traditional publishers as well as others still don’t know what to think of the genre. Stereotypes such as it being a genre for reckless behavior, lacking responsibilities and casual sex have circulated.

My novel doesn’t involve any of those things, it just focuses on a woman, recently graduated from college, trying to determine her next direction in life. It has themes of courage, hustle, tenacity, and creating one’s own legacy. Publishing companies probably wouldn’t understand my novel and where it would fit in the book market. I want to be the one to drive readers to my book and show them the struggles so many millennials face when coming into new found adulthood. I understand my brand and novel better than some publishing company would.

Money & Pricing

If I went the traditional publishing route, my book would probably sell for $9.99 for the e-book and $15.00 for the paperback. Even with a publishing company to back me and several marketing and promotional efforts, I still think not as many people would buy the book at these prices as opposed to the lower prices indie titles are at (usually $2.99 or $3.99)

I’m selling my book at a lower price to attract more readers and engage with more readers. Word of mouth and awareness for my novel is far more important than money.

You have a longer window of opportunity with self-publishing 

With traditional publishing, they release your book, do a few book signings, interviews, and after a few weeks, or months, if you can’t bring in a certain amount of money, they pull it from book stores and minimize publicity and marketing. Many traditional published authors have talked about how a lot of the book marketing falls on them after releasing and they get little help from the publishing company.

With self-publishing you months and years on end to reach readers. Maroon 5’s beloved first album, Songs About Jane, was a slow burning success and took over two years to start getting recognition. While this isn’t a self publishing story, it is a good example of how sometimes it takes a while for things to catch on and have the so called “hitting it big”. Self-publishing allows a much longer period of exposure than traditionally publishing books.


Even with the list of reasons why I’m self-publishing, there are some not so sunny sides to it. Many like to romanticize self-publishing. There are things to note when going the indie route. For one, self-publishing (depending on the way you look at it) can get expensive. Developmental editing, copyediting, cover design, formatting, copyrights, and more can add up. Self-publishers spend an average of $2,300 for each book they release. You can spend a lot lower or a lot higher, regardless of the price, you will have to spend a pretty (but not soo pretty) penny to yield a quality book that people would want to buy.

Even though you’re self-publishing, some tradition publishing rules still apply: put together a media kit, figure out target audience, get a good editor, get a good cover design and make a welcoming author website.

Self-publishing has it’s advantages, disadvantages and is a lot of work but I’m embracing it. I can’t wait till I have that feeling of holding my own book in my hands and being able to connect with readers.

Image by Alice Hampton

Young Adult Novels Adhere to the Unconventional

Young adult novels…they’ve seem to have gotten repetitive. Fascinating worlds and wonderful tales fill them but many of the main characters across the book have a common shared theme:  they’re socially awkward hipsters who take off beaten paths.


I’m not saying that all young adult books are like this. There are several books to choose from that do not take this well-worn path: The Hunger Games, Maze Runner, Divergent. It is worth pointing out why many young adult books are diving in this theme of embracing the unconventional individual. Several young adult books with nerdy/awkward protagonists have become bestsellers. Young adult author John Green’s books including Paper Towns, The Fault in Our Stars and Looking for Alaska all include having a main protagonist who isn’t very outgoing and believes in staying quiet.

Two young adult genre breakout hits of 2013 were Eleanor & Park and Fangirl. Both books (written by the same author: Rainbow Rowell) deal with introverted characters who surround themselves in their own world. This Song Will Save Your Life, a novel by Leila Sales, deals with a quiet teen girl who has trouble making friends. Notice a similar theme/trend with the other books mentioned?

Perhaps this is just a trend that in the coming years will start to slow down. It’s good that many young adult authors are helping teens embrace their quirky traits and awkwardness in a world of weight pressure, body image critics, and bullying. There is room for change however. Sometimes it needs to be known when to move on and describe other types of characters. Embrace the person who likes to speak up, make things, and/or is overly vain. It would be a welcomed change.

Carnival: Book Review

This summer is running through with great novels coming out. Several binge-reading, addicting books are coming out…and a lot of them are self-published ones. The novel I’m reviewing in this post is Carnival, a new adult romance novel chronicling the life ahead for the protagonist, 18-year-old Charlie.

Carnival by K.B. Nelson

Things are a bit bumpy for Charlie at the beginning of the book. She lives in a small town that doesn’t have much. College plans loom on the horizon. Despite the exciting prospect of going somewhere new, Charlie decides not to go to college. She isn’t exactly sure what she wants to do. She’s up for anything. This carefree attitude leads to her sleeping with a carnie stranger named Blue, at the town carnival.

Blue has been living his whole life on the carnival circuit. He likes the nature of it, traveling around and not staying in one place to long. Things hit a halt when he meets Charlie. For the first time in his life, he isn’t really sure exactly what he wants to do.

Charlie and Blue come together, two people living reckless lives, wondering what choices need to be made. They start to form a bond that most wouldn’t understand. They become an outlet for one another to trust.

Now here’s the thing that might trouble some people about this novel. It isn’t some sugar-coated cliche romance story that ends with a “happily ever after” line. It’s an honest look into two types of people that are still trying to figure themselves out. They experiment with things along the way. Swearing happens throughout the novel. Bad things are done.

The novel is commendable in it’s surprising twists and turns. This isn’t some light soap opera-ish reading. It gives depth to the otherwise ordinary lives that people seem like they’re living on the surface. Nelson is good in crafting the conflict that Charlie faces, wondering what to do with her life. The characterization is very distinct.

4/5 stars: Great, gritty read. Good start to a promising series by author K.B. Nelson. Carnival releases to book retailers July 7th.

To get a taste of carnival, read the first and second teasers that the author had released so far.